I was amused by the intimations that cropped up in reports on Brendan Eich’s dismissal as CEO of Mozilla that he had been (in the words of one comedian) “whacked by the gay mafia”. Now, the “X mafia” is a standard lazy joke, and the more nonviolent the image of the group whose mafia this is supposed to be the better the appeal to those whose livelihood depends on a steady stream of cheap laughs. But my first reaction was that for gay people to be accused of mafia tactics must be a marker of progress — people don’t like the mafia, but they respect its power! Surely the notion that gay people are too powerful would have been a difficult concept to formulate until very recently.
I was wrong, at least as regards the entertainment industry. In Terry Teachout’s fascinating new biography of Duke Ellington, Mercer Ellington is quoted as saying that his father was unconcerned about Billy Strayhorn’s homosexuality.
But Mercer also reports that Ellington believed in the existence of “a Faggot Mafia… He went on to recount how homosexuals hired their own kind whenever they could, and how, when they had achieved executive status, they maneuvred to keep straight guys out of the influential positions.”