While other creative professions suffer high unemployment, actors apparently are in consistently high demand for anti-conservative propaganda films. Even groups of actors that would usually have difficulty finding work — such as hispanic children — are now at full employment, presumably commanding high salaries from George Soros. At least, that is what we can infer from this remark of senior advisor to the president Kellyanne Conway in a recent television interview:
“These child actors weeping and crying on all the other networks 24/7 right now, do not fall for it, Mr President,” she said, staring directly into the camera.
Seriously, though, the Republicans have seemed to have stumbled their way toward a genuinely novel way of excusing crimes against humanity. This started with far-right conspiracies about “false-flag” operations to stage school shootings, as an excuse to disarm law-abiding Americans. For those who can believe it, it’s a perfect package for looking away from images that any psychologically healthy person must find disturbing — and, indeed, to transform that horror into even greater support for the policies that caused the horror.
Even the highly creative Holocaust denial industry with all their careful analysis of the capacity of gas chambers and crematoria, has never, to my knowledge, come up with the expedient of simply claiming that all those grisly photos and films of “Jews” being “shot” and “gassed” were actually just performing for political propaganda. Or maybe they were doing live theatre, entertaining the troops in a culturally unique way. I’m sure someone could come up with photographic evidence that two “corpses” in different photos look like they are the same person. Maybe they can even turn the narrative around, from Nazis massacring Jews to Nazis providing work to struggling Jewish actors.
Just reading The Vanquished, Robert Gerwarth’s history of the violence that followed the ostensible end of the First World War. He has this to say about the atrocity rumours that circulated about the Bolsheviks:
Although the reality of the civil war was so terrible that it hardly needed any embellishment, fantastical stories about Lenin’s regime flourished and drifted westwards: of a social order turned upside down, of a never-ending cycle of atrocities and retribution amid moral collapse in what had previously been one of the Great Powers of Europe. Several American newspapers reported that the Bolsheviks had introduced an electrically operated guillotine in Petrograd designed to decapitate 500 prisoners an hour… The Bolsheviks, or so it was suggested [in the British press], had ‘nationalized middle- and upper-class women, who might now be raped at will by any member of the proletariat. Orthodox churches had been turned into brothels in which aristocratic women were forced to offer sexual services to ordinary workers. Chinese executioners had been recruited by the Bolsheviks for their knowledge of ancient oriental torture techniques, while inmates in the infamous Cheka prisons had their heads stuck into cages filled with hungry rats in order to extort information.
It seems that there are three things that escalate the ordinary horror of despotic violence into extraordinary horror, all of which are touched upon here:
- Violation of the natural order, particularly of a sexual nature.
- Upwelling of arcane, precivilised, non-European presumptively diabolic culture.
- Abuse of modern technological means toward barbaric ends.
I’m particularly fascinated by the last, represented by the “electrically operated guillotines”, which prefigure the genuine industrialised slaughter of the Holocaust. More than the scale of the killing — which could be achieved by other means — it is the industrial precision that unsettles people, and makes the Holocaust unique. Or, perhaps better said, makes us want to see it as unique.
It’s hard to disentangle these feelings about the Holocaust, which is what makes the electric guillotines so useful: It’s not that this would have been all that exceptional, to kill 500 prisoners in an hour, and you wouldn’t need anything as unusual as an electrically operated guillotine. (It’s not even clear to me how electricity would accelerate a guillotine significantly.) But the combination of electricity, then the prime symbol of modernisation, with mass execution, was shocking.
An anonymous White House official has called the Muslim travel ban a “massive success story”. Assuming this reflects general feeling within the Trump administration, we have to assume that it has accomplished much of what it was intended to accomplish. Which presumably does not include having prevented terror attacks in the US, but does include provoking widespread protests; showing Trump untethered to considerations of custom, law, or humanity; and persuading perhaps wavering foreign governments, particularly in majority-Muslim nations, of the value of pursuing ongoing business relations with Trump, Inc.