The masks come off


I think a lot of people — a lot of foreigners living in Britain — are feeling like this character in Paul Murray’s wonderful satire of the financial crash, The Mark and the Void:

“But if you write the truth about our time? How can the truth ever be obsolete?”

“People don’t want the truth,” he says, waving a hand at the streets around us. “They want better-quality lies. High-definition lies on fifty-inch screens. I wrote the damn truth already, Claude. Maybe I didn’t write it well, but I wrote it. And not only did no one want to see it, they made me feel like a fool for even trying. They laughed out the window at me as they sped away on the gravy train.”

“That was during the boom. Now the gravy train has stopped.”

“Yeah, well, I can’t unsee what I saw. The money poured in, and it was like suddenly everyone in Ireland took off their masks, and they were these horrific, rapacious alien beings who if you fell down in the street would just leave you there to die.”

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